Frank Lobdell

Frank Lobdell (1921 - 2013) was an American painter, often associated with the Bay Area Figurative Movement and Bay Area Abstract Expressionism.Frank Lobdell was born on August 23, 1921 in Kansas City, Missouri, and raised in Minnesota. He attended the St. Paul School of Fine Arts, St. Paul, Minnesota in 1939-40, and painted independently in Minneapolis from 1940-42. He served in the U.S. Army in Europe during World War II (1942–46).Following the war, he moved to Sausalito, CA (1946–49), and from 1947-50 he attended the California School of Fine Arts on the G.I. Bill. In 1950, he left the U.S. for Paris, where he painted and studied at L’Academie de la Grande Chaumiere in 1950-51. After returning to the Bay Area, he taught at CSFA from 1957 to 1964. He was Visiting Artist at Stanford University in 1965, and taught as Professor of Art at Stanford from 1966 until his retirement in 1991.In 1959 Lobdell was invited to participate in weekly figure drawing sessions with Elmer Bischoff, Richard Diebenkorn, and David Park, and after Park’s death, Lobdell became a regular member of the group. Although that circle broke up around 1965, Lobdell resumed his weekly drawing sessions in Palo Alto, where Nathan Oliveira, Keith Boyle, Jim Johnson, and other Stanford instructors joined him. In working from the figure, creating drawings in wash, ink, and occasionally graphite or gouache, Lobdell focused on shapes formed by light and shadow. Aspects of these figures—in a kind of abstracted shorthand—reemerge in the artist’s paintings, drawings, and prints.In 1960, Lobdell was awarded the Nealie Sullivan Award by the San Francisco Art Association. Subsequent honors include a Pew Foundation Grant (1986); Medal for Distinguished Achievement in Painting from the American Academy and Institute of Arts and Letters (1988); and Academy Purchase Awards in 1992 and 1994. In 1998 he was elected to the National Academy of Design.Lobdell died of cardiopulmonary arrest on December 14, 2013, in Palo Alto, at age 92.Wikipedia














Joseph Glasco - American Abstract Expressionist painter

Joseph Glasco (1925 – May 31, 1996) was an American Abstract Expressionist painter and sculptor.Joseph Glasco was born in Pauls Valley, Oklahoma, but grew up in Texas. His parents were Lowell and Pauline Glasco.He had three brothers, Gregory, Gordon Michael, and two sisters, Anne Brawley and Marion Glasco (married to oilman C. Fred Chambers).Glasco graduated from the University of Texas at Austin. Shortly after, he enlisted in the United States Army during World War II, and he served in the Battle of the Bulge. After the war, he enrolled at the Portsmouth Art School in Bristol, England. He also studied at the School of Painting and Sculpture, in San Miguel de Allende, Mexico. He subsequently attended the Art Students League of New York.Glasco was the lover of the writer William Goyen and in Clark Davis' biography of Goyen called It Starts With Trouble (University of Texas Press, 2015) , he documents their relationship. Glasco retired in Galveston, Texas in 1972, where he maintained a studio on The Strand near the Strand Emporium, and lived as a virtual recluse.Glasco died on May 31, 1996 in Galveston, Texas.Wikipedia













 

Agustín Cárdenas

Agustín Cárdenas Alfonso (April 10, 1927, Matanzas, Cuba – February 9, 2001, Havana, Cuba) was a Cuban sculptor who was active in the Surrealist movement in Paris. His sculpture was influenced by Brâncuși, Henry Moore, and Jean Arp. Poet
"Cárdenas was born in Matanzas, Cuba in 1927 and studied at the Academia de Bellas Artes de San Alejandro in Havana from 1943 to 1949. His first individual show was held at the Palacio de Bellas Artes in Havana in 1955, and that same year he traveled to Paris on a scholarship. His wood and stone sculptures are biomorphic and expertly realized, provocative both intellectually and sensually. The affinity that the surrealists felt for his work led to his first Paris exhibition at the Galerie L'Etoile Scellle in 1956. Since then, Cárdenas has been exhibited widely in Europe, the Americas, and Asia. At the 1961 Biennale de Paris he was awarded the prize in sculpture. Among his many individual shows have been FIAC, Paris (1980,1984), Museo de Bellas Artes, Caracas (1982), and International Gallery, Chicago (1990). His works appear in many museums and private collections, including Fond National d'Art Contemporain, Montreal, Museum of Modern Art, Tel Aviv, Hakone Museum, Japan, Museo de Bellas Artes, Caracas, and Musee d'Art Moderne de la ville de Paris.
Cárdenas lived in Paris since 1955, and worked in Paris and Carrara, Italy. Under the auspices of the magazine Avance the First Exhibition of Modern Art was held in Havana. The magazine helped foment the changes in direction being taken by the visual arts in a context that Marinello defined as the "critical decade". Since his days at the San Alejandro Academy, the "master of masters" of Cuban sculpture, Juan José Sicre, recognized in Cárdenas the vigor and creative imagination that accompanied him throughout his career, from his early work at the end of the 1940’s through the experience of "Los Once" to the mature, definitive work of his Parisian period. In 1995 he was awarded the National Fine Arts Award, along with another outstanding Cuban sculptor, Rita Longa. He worked wood, marble and bronze with the same ease and sureness and with a poetic freshness that demonstrated that traditional media are not at odds with each other. He was comfortable dialoging ideologically with Brancusi or Henry Moore, with all the vitality afforded by an island whose sense of itself derives from its creative involvement in the linguistic codes of contemporaneity. Cárdenas’ impeccably finished, imaginative and truly poetic work has a parallel in painting in the work of another great Cuban artist, Wifredo Lam. Agustín Cárdenas’ farewell leaves a void, as each great artist does, but the compensation is his universal legacy, in which he was able to capture, in the words of Ricardo Pau-Llosa, "the apprehension of those intangible forces that give life form." Cárdenas spent the last few years of his life in Havana, where he died in 2001."(cernudaarte.com)














Donald Lester Reitz - Ceramic art

Donald Lester Reitz (November 7, 1929 – March 19, 2014) was an American ceramic artist, recognized for inspiring a reemergence of salt glaze pottery in United States. He was a teacher of ceramic art at the University of Wisconsin–Madison from 1962 until 1988. During this period, he adapted the pottery firing technique developed in the Middle Ages, which involved pouring salt into the pottery kiln during the firing stage. The method was taught in European ceramic art schools, but largely unknown in United States studio pottery.In 1982, Reitz was in a serious car accident involving a truck and was hospitalized for several months. While recovering from his injury, he began to create a series of ceramic pieces that came to be known by a collective name, Sara Period. In 2007, Reitz suffered a heart attack and would undergo close to a dozen surgeries, including a valve replacement. He continued producing works with the help of studio assistants.Reitz died on March 19, 2014, at the age of 84 of heart failure and was eulogized by The New York Times and the American Craft Council. His works are featured in several museums including the Smithsonian Institution, American Museum of Ceramic Art, and Museum of Fine Arts, Boston.
Later in the 1980s and 90s, he became involved with wood firing ceramics as a collaboration with several artists, traveling to many ceramics studios to utilize different kilns for their varied effects. In 1988, he retired from the University of Wisconsin, but continued to work at his private studio in Clarkdale, Arizona.
Reitz was named on Ceramics Monthly's list of "greatest living ceramic artists worldwide" in 1988 and 2001. In 2002, he was awarded the American Craft Council's Gold Medal award.In 2007, he suffered a heart attack and underwent a series of eleven surgeries, including a valve replacement. However, he continued producing works for several more years, this time, with the help of studio assistants and collaborative artists. He would take elements they molded in cylindrical shapes, modify and assemble them into abstract sculptures, statuettes and table top pieces.Wikipedia
















Gelsen Gas

Angel Sanchez Gas (1933-2015) was popularly known as Gelsen Gas, an alliterative pseudonym. He was a multifaceted and interdisciplinary artist, theater director, film director, film producer, actor, painter, poet, sculptor and inventor, based in Mexico City, Mexico. His career and style are highly diversified and hard to classify.He is most commonly known for his paintings and geometrically constructed artworks. Among his most famous works are the film 'Anticlimax' (1969) featuring Alejandro Jodorowsky, his painting 'Homenaje a Magritte' (1969), an homage to the Belgian surrealist artist René François Ghislain Magritte and his self-portrait 'Autogelsen' (1971).Gas was born in Mexico City, Mexico. His parents were Ángel Sánchez Bellido and Leonor Gas Murillo.The painting Homenaje a Magritte and a collection of Gelsen Gas sculptures are part of a permanent collection of the Museo de Arte Moderno (the Museum of Modern Art) in Mexico City which also includes the work of the artists Frida Kahlo, Olga Costa, Diego Rivera and David Alfaro Siqueiros.
He also wrote and directed the film Anticlimax (1969) which was the sole movie made in his career but became a cult classic in the 1970s. The film was produced in black-and-white, 80 min. (no subtitles; minimal dialogue).Anticlimax was shown at the Guggenheim Museum's First Comprehensive Survey of Experimental Filmmaking in Mexico in 1999.Wikipedia